RMB City 1st Anniversary-RL Party


After the official celebrations hosted in SL last January 10, 2010, RMB City opened up the Real Life space of its Beijing brand new office and shared with colleagues and friends the real side of its virtual existence.


The whole team, together with colleagues and friends, raised the glass to one year of great success and exciting projects.


We have crossed the boundaries of time and space, of real and virtual spaces and different forms of art.

We have attended the birth of SL baby China Sun, mused on and reacted to the difficult economical times.

We have staged the story of an all together ancient and cosmopolitan Eastern world and opened up to the distorted sounds of globalization.

We have danced ancient Chinese ballets and experienced the arrival of extra-terrestrials, studied the arcane language of Feng Shui philosophy and bargained fake worlds and utopias.

It is now time to THANK YOU ALL! RMB City is your city, too. Stay tuned and join us in our new 2010 virtual experience!

Blog,Events,Media Center,News,RL Events — Gianna Yebut, January 22, 2010 @ 12:39 am

4th Mayor speech and RMB City Code announcement


Last Sunday January 10th RMB City celebrated its 1st Anniversary.

Here’s what Erica Dubach said in her first official speech as mayor of our community:

Congratulations to the team for the incredible island, the incredible experience and congratulations for reaching the 1st Anniversary, half time of the whole project. I have an incredible admiration for the work that Cao Fei and all of you have done here: you’re really working at the frontier of digital Art and this is why I’m so excited to be mayor, because I think that what you’re doing is absolutely groundbreaking. You are exploring a new technology that deserves a lot of credit and you’re doing it with unbelievable creativity and energy and you have my admiration. The reason I accepted the request to be mayor is because I believe that this technology has a great future I think Second Life and what you’re doing here is the way that people will interact in the future on the Internet and I would like to take a moment to explain what I mean and put in context what I think your work means.
I think that SL is the best example of a virtual world and its potential, there are many of them out there, about 150 to 200 different virtual worlds but SL allows an explosion of creativity that has not been seen in other worlds in the same way so what this means is that SL is very large and very active. For example, if you measure the transactions SL is the 175th largest city in the world, the largest country in the world and every single day ¼ of a million objects are Beijing produced by the residents such as you, so this means also for anybody visiting it that they have just this incredible richness of an experience. This island here and what you’ve done here is one of the best examples of this. What’s happening in the Internet in parallel, not just in SL but if you’re looking at Google Maps or Google Earth, for example, is that there is more and more emphasis on 3 dimensional work, recreating buildings and having people walk through this buildings. There’re also more and more opportunities for people to interact with each other on social networks, like Facebook, and people are having more and more interconnecting levels with different avatars and personalities; you can shop today for clothing on line and you have an avatar. I firmly believe that these two trends are going to convert and what you’re doing today in SL is learning about what digital Art means in an art form that will only expand in the future. So these two technologies are really coming together in a way that is important. This is why I think what you’re doing needs to have as much visibility as possible. I think what I’d like to do as a mayor is to connect these two trends , as a mayor I would love to have this city to be visited by as many as possible. So instead of building something else in addition onto this island, I would love to have people go through this space, RMB City, and really see it for what it is. So… as mayor, I would like to announce that we would like to combine the two worlds of the SL and the people outside by inviting people onto the RMB City Code, which is a treasure hunt through the city, there will be codes throughout the city, there’s a story and ancient mystery to be unfolded and in the end the person who can unlock the code will receive a special mysterious object and will be able to understand the city better. I’m looking forward tremendously to working with you for this next three months. Thank you



Following Erica’s exciting speech RMB City announced the upcoming ‘RMB City Code’ game:

RMB City staff and the new mayor E3A Digital are glad to disclose a new enthralling and arcane project: RMB City Code, the new intriguing ‘SL decoding game’ in RMB City and the first project of our mayor’s agenda
An inedited ancient story is to be revealed next February in RMB City. A mystery has to be unfolded, a puzzle to be solved, the quest is hard and the price unexpected. You will get to discover the city in order to disentangle the riddle, you will touch the dirt and the opulence of RMB City…
Open up your eyes and come to explore the island as you’ve never done before! As mechanized robots numbed by daily routines and everyday gestures, we pass by places and towns without grasping the small hidden details and uncommon treasures anymore. This is a game for those who want to start ‘seeing’ with new eyes, for newbies and old acquaintances who want to (re)discover the ‘legend’ of RMB City. Look for signs and get immersed into an ancient tale of Chinese mystery, the best explorer will be awarded with an unexpected precious prize…
Dear avatars, you will find yourself immersed in a complicated secret that will keep you involved until its final solution, you won’t be able to avoid it, the city and the mystery won’t let you go until the very end…
The end is just the beginning of another journey…we’ll all wait for you to discover the mystery of this code and experience RMB City with us

After the official announcements and the presentation of the the new marketplace we all broke out into dance with our most affectionate friends, a gorgeous China Tracy in her specal Viktor & Rolf dress and baby China Sun.




Blog,Events,Media Center,News,Press Releases,Projects,Second Life,Shop,SL Events,SL Products — Gianna Yebut, January 14, 2010 @ 12:02 am

RMB City at dusk – Looking towards the future


Blog — Gianna Yebut, January 7, 2010 @ 1:14 am

RMB City’s One-Year Anniversary

January 10, 2010. 12 am SL time / 4 pm Beijing time. People’s Marketplace (RMB City 1 205, 53, 66) )


RMB City invites you to a special gathering on January 10th, 2010, at 12 am SL time, 4 pm Beijing time. The location? The brand new People’s Marketplace (RMB City 1 205, 53, 66 (Mature)). The occasion? RMB City’s first birthday, and the inauguration of its fourth mayor, Erica Dubach, aka E3a Digital. A special announcement about an exciting new mission, the RMB City Code, also awaits.

Come and join China Tracy and the newborn China Sun in the stalls of our new bazaar. Buy a new costume for your avatar. Watch the dancers of RMB City Opera perform their revolutionary choreography. Last but not least, come to hail E3a, our new captain in chief, as she speaks to us about the increasing relevance of our virtual world.

Erica Dubach E3A Digital, Fourth Mayor of RMB City:
Born in 1969 in Switzerland, Erica Dubach travels the digital world in search of the new and interesting, both professionally and personally. As E3a Digital in Second Life, she has connected the virtual world to the real world using RFID technology. RMB City is destined to achieve the same leap in the context of art. As Erica in Real Life, she is a PhD candidate at the Swiss Federal Institute of Technology Zürich (ETH Zürich) since February 2007, and a senior researcher in the Auto-ID Lab University of St. Gallen / ETH Zürich since February 2009.

RMB City Code, a SL decoding game, Coming Feb 2010

Announcing Mayor E3A Digital’s first project, RMB City code.
A series of codes have been planted in RMB City, where the mystery of an ancient story is waiting to be discovered. You may embark upon different experiences to try to crack them. The moment you unfurl the web, you will revel in an unexpected surprise…….

The New York Times-Art&Design

The New York Times, Art & Design
Published: December 31, 2009

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Make Room for Video, Performance and Paint

SINCE the 1970s people have perennially complained that while the number of artists keeps rising, the number of good ones remains the same. Many of us have nodded in agreement to curtail yet another lament that the good old days were better. But let’s do the math; the odds are very much against this equation

Over the past decade the number of artists has indeed continued to increase, but so has the tally of good ones. The years 2000 to 2009 saw the emergence of a tremendous number of really good, interesting, promising artists. They came from around the world and every demographic, working in every medium.

This was inevitable. There is now officially more of everything. Why should good art be exempt? The increased number of art schools and art students has upped the number of people determined to be artists. The globalization of art has increased the chances for visibility and market support. Various liberation movements — concerning race, gender, nationality and sexual orientation — have continued to have effect, adding participants, energy, traditions and subject matter, meeting and making new challenges.

From where I stand — which is very often in some sort of New York art gallery — the decade had a high yield of impressive debuts, along with some debutlike second shows, stirring game changers (Carroll Dunham’s latest show at Gladstone) and comebacks (Nicole Eisenman’s at Leo Koenig). And since I didn’t see every show that occurred on the planet, I can only think that nearly as many good artists made their presences felt elsewhere and have not yet passed through the New York portion of the art-world pipeline.

This situation was impressed upon me by the humbling number of unknowns in the no-frills “ ‘Younger Than Jesus’ Art Directory,” in which the New Museum published the work of the 540 artists considered for their first triennial — of which about 50 were selected for the actual show. As important as the show itself, this publication gave a new transparency to the selection process; it may contain a better show than the one chosen and could serve as a sourcebook for future exhibitions.

For proof that the last decade has been a great time for art, forget about auctions and copycat collectors. Open your personal image bank of memories, study it through a wide-angle lens and see what comes up. (The Internet of course aids greatly in the process; many galleries lavishly document their exhibitions.)

Some high points I remember or revisited online include the black-gray-and-white taped floor of Jim Lambie’s debut at the Anton Kern Gallery (then in SoHo) and the makeshift greenhouse in Peter Coffin’s first show at the Andrew Kreps. At Zach Feuer (or its predecessor, LFL), there were: the spongy nose picker among Dana Schutz’s early paintings, Tamy Ben-Tor’s spot-on video evocations of sundry female stereotypes and Nathalie Djurberg’s hilarious video animations of humanity’s dark side. The free-spirited Klara Liden arrived from Sweden, dancing (in video) in a trolley car at Reena Spaulings, a space that Josh Smith also filled with barstools as paintings.

Urs Fischer’s first hole in a wall (on this side of the Atlantic, at least) breezed through the old Gavin Brown’s enterprise on West 15th Street, and Cao Fei’s sci-fi photographs introduced slightly deranged action-figure devotees at Lombard-Freid.

Nalini Malani’s evocations of Indian deities at Bose Pacia were memorable for their diaphanous effects and simple hardware. Tauba Auerbach’s optical, letter-based abstractions at Deitch Projects compelled double and triple takes. Shinique Smith’s towering bales of recycled garments and fabrics revealed geologies of thrift-shop detritus at the Proposition. The Marian Goodman Gallery added Rineke Dijkstra’s “Buzzclub,” a mesmerizing video portrait of clubgoing adolescents; Pierre Huyghe’s “Third Memory,” an eerie video-installation evocation of the real story — and man — behind the 1975 Sidney Lumet movie “Dog Day Afternoon”; and Anri Sala’s video “Dammi I Colori,” which showed his shell-shocked hometown Tirana, Albania, rising from the ashes with Modernist primary colors.

Other striking video debuts included Aïda Ruilova’s percussive Goth vignettes at Salon 94, and, most recently, Mary Reid Kelley’s vibrant grisaille conflations of painting, book illustration, Dada performance and sea chanteys at Fredericks & Freiser.

Other mediums or styles were resuscitated with conviction to spare. Ellen Altfest’s debut at Bellwether, Karel Funk’s at 303 and Josephine Halvorson’s at Monya Rowe (still up) were among several to perform this service for realist painting. Sterling Ruby at Foxy Production, Jessica Jackson Hutchins at Derek Eller and William J. O’Brien at Marianne Boesky treated ceramics as just another medium, no big deal. At ATM, Huma Bhabha took figurative sculpture back to its ancient origins. In a group show at the SculptureCenter, Leslie Hewitt signaled a new phase in postconceptual sculpture and a more oblique approach to the subject of race. The Japanese artist Misaki Kawai dominated one of Kenny Schachter’s intrepid group shows with a large, determinedly not cute treehouse fashioned from cardboard and fabric and populated by decadent glam rockers, or something close.

For every incident here, there are probably four more equally deserving mention, among them Christof Büchel’s elaborate architectural intervention at Maccarone and Ryan Trecartin’s hyperkinetic, color-saturated coming-out saga “Family Finds Entertainment,” seen at the New York Underground Film Festival in 2005 and the Whitney Biennial in 2006 (albeit on a tiny monitor, one of the decade’s dumber curatorial moves). Even before art performances became as ubiquitous as photography, I remember Jamie Isenstein doing a soft-shoe with a skeleton at Guild & Greyshkul and Rachel Mason’s wobbly voice and acoustic guitar giving her own insistent update on folk music at the Alona Kagan Gallery.

Not only are there scores of interesting artists, they are working on all fronts, including some new ones. The number of mediums has expanded, thanks to the continued development of aspects of postminimalism — especially video and performance — and the rise of digital technology and the Internet. So has the ingenuity with which artists fragment and mix these mediums. The ways of being an artist — from membership in an anonymous collective with satire, social improvement or both on its group mind, to entrepreneurial mega-stardom — have also multiplied.

All this has moved beyond the simpler days of art movements, trends and warring claims for the supremacy of one medium or another. If it seems otherwise, you’re not looking hard enough or without blinkers. To beat a dead horse: even painting remains very much alive. It is a language that is too complex, widely spoken and beloved to expire, but you can bet it is changing all the time.

Finally, what might be called the liberation of art history that began in the 1970s has continued; new knowledge about and approaches to nonwestern, decorative, popular, folk and applied art forms have been grafted onto what was once called the master narrative. It is now a tree with many strong branches that gives us more to think about and greatly increases the kinds of visual culture and models of creativity that can inspire artists.

The lack of reassuring simplification means that we are experiencing the present in a fuller, less blinkered way. We can now see that most art begins in plurality, even if it is temporarily neatened into movements by artists, critics and art historians. Thus, as it was being made, New York art in the 1940s included Jackson Pollock and Janet Sobel (whose dripped paint influenced Pollock) and Steve Wheeler (a so-called “Indian Space” painter who hated the phrase but worked small and tight in a time of Abstract Expressionist expansiveness). For a few decades all you saw was Pollock. Now Sobel and Wheeler are back in the historical picture.

In all, we are confronted with the distinct possibility that quantity and quality may not be so mutually exclusive after all. More means more better.

Blog,Media Center,Press Coverage — Gianna Yebut, January 4, 2010 @ 9:11 pm

Happy New Year!

Say bye bye to the tired old year…

old siddharta_002

old siddharta_004

old siddharta_007

…AND TOAST TO A PROSPEROUS 2010 !!!!!!!!!!

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RMB mother_005

Our City is yours…see you next year!

Blog,Events,Media Center,News,RL Events — Gianna Yebut, December 30, 2009 @ 11:54 pm

Avatar escapes from SL!




This is the story of Siddharta Marabana, a charming, Indian avatar from the magical virtual lands of RMB City, 1 151, 34, 127 (Mature), Second Life Grid.

Born in 2008, Siddharta, now 32 years old, spent his own life in the grid and most of his hours sitting and praying in front of the Buddha statue in RMB City.

Two weeks ago he ‘quitted’ SL and never logged in back. He left life with this note:

“Dear Father Linden, dear Marx, China and affectionate friends of this life, I suddenly had some blurred memories of my previous lives. Of stations, loudspeakers and flowery valleys framed in train windows, long journeys, long waitings, shaking hands and mixed smells. I hope you will forgive me for my extreme decision but I’ve chosen to cut the rope and never come back. After a few days musing I finally realized what these dreamy flashbacks were about and I felt an irresistible desire to TRAVEL…and I don’t mean teleporting or flying, I felt an uncontrollable urge to cover distances in time, to venture into unknown places, touch the freezing wooden arms of Indian trains and smell their dusty, stale air. You’ve been everything to me, you gave me birth, love, freebies and much more but I want to step beyond…I would DIE in this new world, suffer sicknesses, have food indigestions and probably sneeze all the time but I’ll be free, free from constrictions and free to roam the world…this time I won’t knock against your invisible walls, Father, this time I’ll simply walk wherever I want. Love, S.”





Blog,Events,Media Center,News,SL Events — Gianna Yebut, December 23, 2009 @ 1:01 am

‘Travelling projects’: new pictures of “NO LAB on Tour”


The ACA Gallery of SCAD in Atalanta presents ‘NO LAB on Tour’, Dec.14, 2009-Feb. 7, 2010

The original project by Cao Fei and MAP OFFICE has been amplified with new images from a ‘second line’ parade that marched through Savannah Sept.25:







Blog,Events,Media Center,News,Press,Projects,Real Life,RL Events — Gianna Yebut, December 17, 2009 @ 11:51 pm

The Longest Poem


Going to pick up my hubby and take him to work. His car won’t start 🙁
Honest to God I’ll break your heart, rip you to pieces and tear you apart.
Going to take a long and relaxing shower
Shit, rolled over and my exam is in an hour. […]
Handel’s Messiah was awesome! (and long)
New new york: I’m singing J and a keys song!!
and more » She visited Living Healthy Community …
accepting and understanding comes before unity……..
I got my life and its my only one…
So this is Christmas and what have you done.
white Bitches and black men the world may never know
still gorgeous and ahead of its time, though!
Fire trucks and police cars on prospect st
I’m new and this is my first tweet – tweet!


A Dadaist poem? An awkward ‘google’ translation of some Beat verses? A satire

of Futurist ‘parole in libertá‘?



None of this sort. The extract is in fact part of what has been deemed the longest poem in the world (ATTOW 752,748 verses), a weird and ‘public’ experiment using the well-known Twitter social network as a ‘composing’ platform.

Imagined by Andrei Gheorghe, a Romanian website programmer, the poem is composed by matching real time twitter messages with previous rhyming posts: the result, being the whole process completely random, is sometimes surreal, sometimes amusingly coherent, sometimes even ‘poetic’.

Hoping Andrei won’t have a grudge against me, I’ve also tried to compose our first chaotic and public ‘RMB City’ poem following a similar mechanism of copying and pasting lines of SL chats I had with avatars in the past few months. Feel free to add your contribution!


Drop me on the ground, don’t attach me to your body.
It looks like Rolig is coming
I am afraid I have been a bit absent.
no worries, rmbcity is a very relaxed context
are we supposed to take UFO togeher with these beauties?
what’s china sun’s reaction on yanjun’s music?
can I play his piano?
Thanks, i like watermelon~
I like the cloud !
what about?
t seems the lighting wants to burn the little house from this sight!!
Marx is quite happy though, wangguowei, you should try
I can’t type, but I can do other things reasonably well. ㋡
I want to be a christmas bell
How’s the first day going, cherie?
do you wanna play with me?
the hand position looks wrong?
it reminds me of that song…
bye bye Mayo (your name always makes me feel hungry)
this thing is getting me angry
that road will be filled with vendor carts on both sides
China Tracy is Offline

For more info:

Blog,Events — Gianna Yebut, December 14, 2009 @ 12:32 am

Doppelgänger Exhibit, The National Portrait Gallery, Second Life

Andrew Burrell 'Temporary Self Portrait, in Preparation for the Singularity'

Andrew Burrell, "Temporary self portrait, in preparation for the singularity"


Exhibitiona main hall

Gazira Babeli, "iGods"

Gazira Babeli, "iGods"

Cao Fei, "iMirror"

Cao Fei, "iMirror"

Nash-Dodds-Clemens, "Autoscopia"

Nash-Dodds-Clemens, "Autoscopia"


Patrick Lichty, "CodePortraits"

What better place for presenting the theme of doubles and replicas than the heterotopic (namely ‘other place’) world of SL?
Inaugurated last October and running through the 23rd March 2010, Doppelgänger features works from seven SL and media artists, from Cao Fei to Gazira Babeli, from Patrick Lichty (aka Man Michinaga) to Andrew Burrell (aka Nonnatus Korhonen) to the trio Adam Nash (aka Adam Ramona), Christopher Dodds (aka Christo Kayo), and Justin Clemens (aka Jack Shoreland).
Exploring the theme of multiple identities, the exhibition is a voyage into the realm of digital online spaces as an escapist and mirroring image of our reality. Every artist represents his personal ‘portrait’ of the contemporary Doppelgänger figures in our digitalized era, virtual doubles reflecting a slightly distorted image of our ‘real selves’.
On these spaces and on these alternative lives we project dreams, expectations, insecurities and desires, exaggerated, surreal or fantastic versions of ourselves that don’t ultimately depart so much from our ‘real’ identity(-ies).
Utopia of a world where you never grow old, your skin is always bright and smooth, your jobs interesting and adventurous, I wonder how many of you would sell their souls to make their avatars ageing instead of them…

For more info on exhibition and artists:
Gazira Babeli (
Patrick Lichty (
Andrew Burrell (

Blog,Events,Media Center,News,Projects,Second Life,SL Events — Gianna Yebut, December 8, 2009 @ 12:51 am

Pictures from ‘Dress Codes’ exhibition

Some pictures from the third ICP Triennial of Photography and Video in New York (







Blog,Events,Media Center,Press Releases,RL Events — Gianna Yebut, December 6, 2009 @ 9:21 pm

TIMELAPSE exhibition at NAMOC, Beijing (Nov25-Dec19)


NAMOC (The National Art Museum of China in Beijing), in collaboration with Swiss CentrePasquArt, launches a new group exhibition featuring a dozen media artists from both China and Switzerland.

Time-lapse” reflects on the concept of time in its various meanings, its ‘localization’ in space and its representation and use in modern digital media.

It is a reflection on the time and space of our virtual lives, as narrated in Cao Fei’s videos of RMB City or Jin Jianbo’s dummy, an exhausted human figure surrounded by dozens of monitors absorbing his vital energy.



It is the suspended time spent in the heterotopical space of airports, highways, shopping malls, un-historical and un-relational non-lieux, transit spaces where thousands of people gather without really ever connecting one another.

"Republic of International Airport" Qiu Zhijie

"Republic of International Airport" Qiu Zhijie

It is the untangible time and space created by sound in the subtle and engaging work by Arthur Clay, “Hörroom”, an interactive installation of points and lines that act as media pendulum: the interaction of these sound modulators with visitors defines the space of the work itself.


It is the internal time of memory and loss, the time of modern age, the old rhythm of cinema and the contemporary time of the digital or, quoting from the catalogue, the “’perpetual present’ cut off from its temporality”(G.Deleuze, Cinema 1: the Movement Image).

For more info

On the exhibition:

On Marc Augé’s Non-places:

Blog,Events,Media Center,News,Press,Projects,Real Life,RL Events — Gianna Yebut, December 3, 2009 @ 12:54 am

Happy thanksgiving!

…to all my American, non-American, real and virtual friends and colleagues!



Blog — Gianna Yebut, November 26, 2009 @ 3:18 am

The magic shimmer

While in Italy I had an interesting conversation with SL writer Wang GuoWei about the peculiar effects of light in different European Countries.
This is my SL tribute to that LIGHT and specifically to that indescribable shimmer so specific of Venetian and Flemish oil paintings.






Blog — Gianna Yebut, @ 12:10 am

Breaking Forecast – New opening at UCCA


Ullens Center for Contemporary Art presents its latest collective exhibition on the new ‘Chinese Art Generation’, Breaking Forecast, 8 key Figures of China’s New Generation Artists (

RMB CITY fake mountain at UCCA

RMB CITY fake mountain at UCCA

SL fake mountain in RMB City

SL fake mountain in RMB City


Among important names and notable voices of the young Chinese art scene, Cao Fei’s RMB City is also exhibited with a massive installation of our SL ‘fake mountain’. Inspired by artist JianJun’s original ideas on reality vs virtuality/fake/hyper-reality, RMB City erects itself in the shape of a huge fake mountain in the main hall of UCCA.
Like in a magic box, THE REAL is first represented in THE VIRTUAL world of SL (we quite obviously tend to represent what is already in our mind, what we already know and is part of our experience) and finally this new object repossesses THE REAL space of the gallery.
The work is multilayered and plays on different conceptual meanings but one thing that immediately crossed my mind while exploring new RMBCity piece is Calderón de la Barca’s play La Vida Es Sueño (

What is real? Does it actually make sense to distinguish real and ‘virtual’ lives? Can human mind really perceive the limits between reality and illusion, or is maybe our life a blurred and unknowable dreamlike experience?
The idea of ‘life as a dream’ goes back to old platonic and Hindu theories of reality as illusion: And quite interesting this coincidence adds to the list of recurring connections between Hinduism and SL world (we’ve already discussed the Sanskrit meaning of the term ‘avatar’ in a previous post
Has virtuality become our modern way of representing an unknowable and mysterious world?




What is life? A frenzy.
What is life? An illusion,
A shadow, a fiction,
And the greatest profit is small;
For all of life is a dream,
And dreams, are nothing but dreams.

Pedro Calderón de la Barca, La Vida Es Sueño, Segismundo’s soliloquy

Blog,Events,Media Center,News,Press,Projects,Real Life,RL Events — Gianna Yebut, November 24, 2009 @ 1:23 am
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